N'diyaye's newly restored Aqua, from a 16mm print, focuses on the patient labor of men engaged in creating beauty out of fished and found objects through craft and repurposing. This poetic meditation and prime example of Senegalese ecocinema is part of the filmmaker's collection of shorts Tresors des poubelles (Treasures from the Trash, 1989)

情节老套是这部影片硬伤，观影不久便能猜中后续走向，如同嚼蜡般缺乏惊喜，难以勾起深入探究欲望。

每个角色都栩栩如生，他们的性格和动机都得到了充分的展现，令人印象深刻。

这剧剧情拖沓，感情线莫名其妙，看得人直打瞌睡，差评。

可惜角色塑造流于表面，过于脸谱化，好人一味善良、坏人纯然邪恶，缺失深度挖掘，难以给人留下深刻印象。