In a context in which so many German refugees had actually lost their ancestral homelands in eastern Europe, the Heimatfilm acquainted Germans with the beauty of a more western homeland. //Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010 :286.

角色设定过于单一，缺乏深度和层次感，难以引起观众的共鸣。

在紧张刺激的情节中穿插着幽默的对话和场景，为影片增添了不少乐趣。

朋友推荐的《Tausend Melodien》太棒了，看完又哭了一遍。

看完之后，Tausend Melodien整体氛围做得可以，属于越往后看越顺的那种，没什么特别硬伤。